Sunday, July 5, 2009

Farmers' Market - July 4



I bought lots of good things yesterday. I was most excited to see green/wax beans and most disappointed not to find corn. I went to a BBQ yesterday and meant to make a salad from Sara Foster's book, Fresh Every Day (a fabulous book), which was supposed to contain arugula (stand-in for watercress), snap peas, corn, and a blue cheese dressing. Instead I made a huge salad with arugula, snap peas and wax peas that I blanched, raw summer squash, scallions and blue cheese with the lemon/red wine vinegar dressing. It was yummy and disappeared, always a good sign.

Oh! I almost forgot. I'm trying something new from the market I've been intrigued by for a while. Farm-raised, organic rainbow trout - it's right in the front. I bought some that is already seasoned and we're going to try grilling it.

Cheers!

Thursday, July 2, 2009

Wishy-Washy


Was I ever wishy-washy about The Physick Book of Deliverance Dane by Katherine Howe. I picked it up since it was in the must-read pile, and I was in the mood for some historical fiction.

In case you haven't heard from the huge marketing campaign, this novel is the story of a young woman named Connie working on her Ph.D. in American history at Harvard who spends her summer alternately looking for a dissertation topic and cleaning up her maternal grandmother's home near Salem, MA. The house is perfectly creepy and old, without electricity or a phone line. Connie comes across an old key in the house with a slip of paper attached reading 'Deliverance Dane'. Connie sets off to figure out who Delivance was and has a relatively easy time tracking her down and obtaining information about her descendants. Scattered throughout the novel are chapters that reveal what happened in the past from the perspective of Deliverance and her descendants. Howe's idea was apparently to write a novel from the idea of 'what if the witches from Salem were actually practicing witchcraft' thus the story takes an odd magical turn about halfway through that I wasn't expecting.

So how was I wishy-washy? Well, when I was awake and alert I thought this was an okay read. I really thought the premise was interesting and enjoyed reading about the big old house and its secrets. The Postscript was fascinating and it's obvious there and throughout the book that Howe is a scholar of American History.

But when I was tired, and it was the end of the day, I felt very nit picky about this book. My main problem with it was that the dialogue felt heavy. Too much description of how people said things, or what they were doing when they said it that didn't pertain to the continuation of the storyline. I've found that I prefer books that are just told, not just 'he said'/'she said' all the way through. In addition, I had trouble reading the New England dialect that Howe uses occasionally and had to actually read aloud to figure out what was being said.

The characters often seemed overwritten, like caricatures of people. The innocent student, the bad-boy painter romantic interest, the hippy-dippy mother who is all knowing, and the villain. Connie wasn't the easiest character to like. For a Ph.D. student she took an awfully long time (20 pages) to pick up on clues that I noticed immediately. In addition, from the moment The Villain was introduced it was as though Howe was throwing stuff at me to let me know that he was The Bad Guy. So how did Connie not notice?

{Insert big sigh.}

I know it sounds like I didn't like this book at all, which isn't the case. It's just that this, for me, was an okay book that could have been great, with better execution and more editing. I'm sure there are going to be a lot of people who enjoy this novel. I guess I just read enough to know that it could have been so much better.

Many thanks to Hyperion for this review copy.

Tuesday, June 30, 2009

The Midwife

I've been a moody reader lately. It all started with something I read in Adam Roberts' The Amateur Gourmet. Roberts' had lunch with Ruth Reichl, and he worried out loud about what he 'should' wear, and what he 'should' order. Reichl set him straight. She told him (and I'm paraphrasing here) that it's his meal, his experience. He should wear what he wants and what he's comfortable in, and he should order what he wants to eat. Not what the restaurant's necessarily known for, not what will impress your date or Ruth Reichl, but what you want.

That got me thinking about what I want to read. Not necessarily what books people want me to review, or what the readers of this blog might be most interested in, or what looks impressive out in public. What I Want. And What I Want to read lately is this:

Memoirs.
Food Memoirs.
Other books about food.
First person. (isn't that a strange one?)
Historical Fiction.
Women's stories.
Strong women.
Hard times.

That is what I've been in the mood for. Not mysteries, or books set in Asia. So, I guess what I'm saying is that these are the sorts of books I'll be reviewing here in the coming week or two. Because that's what I want to read. And you know what? I'm sure that will change.



Lesley wrote about The Midwife last month and as sometimes happens to me, I knew I needed to have that book right away. So I literally went and bought it the next day. And then it sat on the big stack and said 'read me. read me!' for a while, and then finally, because I am reading What I Want, I picked it up and I can tell you, it was perfect.

The Midwife is Jennifer Worth's memoir of her experience as a midwife in the East End of London in the 1950's. Times were different then when most women gave birth at home, and midwives were most involved in their pre and post natal care. Boy, does Worth have some amazing stories! Worth lived in London with a group of Nuns who were experienced midwives themselves - this provided some interesting stories without even delivering babies! Worth's patients were working class people, living in differing levels of poverty, some better off than others, and to think people still lived in homes with communal bathrooms and water that must be carried upstairs in the 1950s is really something.

The Midwife contains the stories of the woman who has given birth to 25 babies, the differing response to babies whose skin color does not match their parents, young mother's who seems unsuited to the job, and prostitutes who fell on hard times. The stories are sometimes difficult and heart-breaking, but are also life-affirming. Worth writes with just the right amount of compassion and mater-of-factness. Worth is at her best when she writes about the women whose lives she entered, though there are more personal essays as well.

If you're interesting in the subject, I couldn't recommend this more. I will tell you that it's quite graphic in terms of childbirth - all aspects of it. The good news is that Worth has written 2 follow up books to this; as yet unpublished in the US, so I'm thanking my lucky stars for The Book Depository.

Sunday, June 28, 2009

Farmers' Market - June 28

The food wasn't the most interesting thing to come of this week's trip.



Though the food looks great! Not much different from last week. They are saying corn might be available next week - whee! And I am eagerly anticipating green beans. Would you believe I paid $2 for that lettuce?

So, the girl went with me to the market today. She remarked on and was curious about something that's fairly obvious at our market - the majority of the vegetable farmers are Hmong. So I asked her to wait until we got into the car where we discussed in a highly simplified manner:

* The Vietnam war and why the Hmong came to the US, particularly Minnesota.
* Why people have traditionally come to the US - freedom from oppression.

This led into:

* Freedom for women's rights and a book we read about "Elizabeth" who worked for women's right to vote and make laws.
* Another book she read about people coming to America on a boat and selling their jewelery so they could do so, and celebrating Thanksgiving when they arrived. (Not sure if this was all the same book.)

It was more than I bargained for, but was a really good chat. I think she 'got' it. And naturally I was impressed what she remembers from her reading. Good stuff.

Friday, June 26, 2009

Friday Catch Up


So, Laurie Halse Anderson. An author I hadn't heard of until I began reading blogs and suddenly her name and books were popping up everywhere. I decided to check out her work and was most interested in her 2000 novel, Fever 1973, which was sitting on the shelf at the library just waiting for me. Fever 1793 is historical fiction, set during the yellow fever outbreak in Philadelphia in, you guessed it, 1793. We experience the outbreak from the perspective of adolescent Matilda who helps her widowed mother run a coffee shop. By the end of the first chapter, the outbreak has already hit too close to home for this family.

From that point, things go from bad to worse. An attempt to escape from the city doesn't go as planned, and everything that could go wrong, does. Matilda shows gumption and compassion beyond her years. She is a fantastic heroine who finds strength within and despite adversity and is a great role model.

I enjoyed this book, it was fast paced, and full of twists and turns, perfect for the young adult audience this book is meant for. Did it feel like a young adult book? To me, yes. But the plot, excellent characterization and historical details made this a compelling read. I especially enjoyed the appendix at the end of the book where Anderson provides lots of fascinating historical information.

Any Laurie Halse Anderson fans out there? What is your favorite of her books?

***********


The Blue Notebook was a difficult but important book to read. This novel comes from an unlikely author, Dr James Levine from the Mayo Clinic. According to the publisher, Dr Levine was doing research in India when he was inspired to write this story of a child prostitute. Not only is Levine publicizing the plight of these disadvantaged children, he's also donating US proceeds from the novel to charity.

The Blue Notebook is the Story of Batuk. Sold into slavery by her father at 9 years of age, she is now living on the Common Street, a street of prostitution, in what sounds like some sort of cage where she services men. She owns a blue notebook and a small pencil with which she tells her story. Hardened yet still childlike, Batuk at age 15 tells her story, past and present. We see how these children are exploited and how it seems there is no place else for them. Which is often times sadly the case, it seems.

About midway through, the novel takes a dramatic turn and it quickly becomes apparent to Batuk that she was better off on the streets than where she has been brought. The ending is rather shocking and if anyone cares to discuss it please comment or email me. Sometimes things that may seem obvious to others need to be spelled out to me so I want to be certain I understood what happened.

I was terribly impressed by the voice Levine gave to Batuk. It felt authentic to me in terms of the age of the character, as well as her Indian origins. This is the sort of book you cannot really say you 'enjoyed' for who enjoys a story about human suffering? But at the same time, Levine is doing what he can to make others aware of this all-too-real situation and I thank him for that. Since Dr Levine is from Minnesota it is my hope that he will make an appearance nearby and perhaps I will get to hear him speak.

The Blue Notebook will be published in July by Random House. Many thanks to them for this review copy.

Thursday, June 25, 2009

Beach Trip - Author Interview


Beach Trip by Cathy Holton is the story of four women who might never have been friends. Fate brought them together as roommates in college and now in their 40s, they come together again for a reunion at the beach. Lola, who organizes the trip, is the most enigmatic of the four women. She is unhappily married, seems drugged much of the time and exhibits childlike behavior. Mel is the strong one, an author, she lives the single life in the city and says what she thinks. Annie struggles with secrets in her past, and keeps her life orderly in contrast to the inner turmoil she feels. Sara is happily married, mother of two children, one of them who struggles. She was the most relatable character I felt, but she struggles with her past as well.

This is pure women's fiction. It's the sort of book that deals with heavy subjects and secrets with a light hand; there is sadness and regret but also humor and hangovers. The narrative goes back and forth in time as the reader gets to know the women in the present, and how their pasts shaped their lives.

This was a really good read for me. I enjoyed the writing style and the subject matter and whenever I saw the book on my nightstand, I looked forward to getting back to it, always a good sign. There was a plot twist that I picked up on right away - Holton waited until towards the end to confirm my feeling. I thought that would be the only plot twist but boy was I wrong! The ending contains a huge twist that I thought was well done and believable - it made the book for me.

Cathy Holton was kinds enough to answer a few questions from me. Her answers are fun and witty, and her next book sounds fantastic. Check it out:

What inspired you to create the four women Beach Trip centers around?

A friend of mine told me about a trip she was getting ready to take with some college friends; just six women alone in the Bahamas aboard a yacht with a Captain and crew (one of the women had married well). I said it sounded like fun and she said it was, just lots of drinking and lying in the sun and reminiscing. But then she qualified that by saying that the trip usually got kind of tense toward the end because there was something between two of the women, something that had happened in college and never been resolved and only surfaced at the end of the week when the sun and the close quarters and the martinis got to be too much. That got me interested.



Did you already have the idea for the ending in your mind when you started writing? (I wasn't expecting what happened at all - which I love.)

I knew something dramatic would happen and I knew it would involve Lola, but I wasn’t sure until the middle of the novel what it would be.



Would you talk a bit about your physical writing process? Where, when, on a computer or by hand, is it quiet or noisy, is there food involved?

There’s always food involved. And caffeine. Although I try to keep the food to a minimum; usually just a little something sweet around mid-afternoon when my brain begins to fog and I need that carb rush. When I’m working I try to stick to a structured routine; up at 8:00 and in front of my computer by 9:00. By noon I break for lunch, take the dog for a walk in the woods, and then get back to work by 1:00 or 1:30. I break for the day around 4:00. I try to average ten double-spaced pages a day. I write in a corner of my bedroom, near a pair of long windows, in front of a fireplace and a wall of bookshelves. It’s very cozy and very quiet.

Who are your favorite authors - for inspiration or just reading pleasure? What's on your nightstand right now?

I read constantly; I’m an eclectic reader. My list of favorite writers is long and changes daily but I always come back to Flannery O’Connor, George Singleton, Lewis Nordan, Alice Hoffman, Peter Carey, Hilary Mantel, Kate Atkinson, Ian McEwan, and Doris Lessing.

I love to read short stories, especially those written by John Cheever, Shelby Foote, Ellen Gilchrist and Isabelle Allende.



On my nightstand right now is Alice Munro’s “Something I’ve Been Meaning to Tell You,” and Brock Clarke’s “An Arsonist’s Guide to Writers’ Homes in New England.”


Besides books, I also write about cooking on my blog. I loved the fact that in Beach Trip you wrote about what the women were eating and drinking. Does that mean you enjoy cooking? What would you serve your girlfriends if they were coming over - feel free to include a cocktail!

Eating, yes. Drinking, yes. Cooking, not so much. I’m lucky though. My husband has a degree in Hotel, Restaurant, and Institution Management and, get this – he likes to cook. (Which helps explain why I’ve kept him around for thirty years.)



If my girlfriends were coming for dinner, I’d have him wear his apron that reads, Kitchen Bitch, and then serve something like Goat Cheese Salad on Field Greens with Toasted Pecans, Pan-Seared Tuna with White Bean Puree and Asparagus in a Crawfish Bernaise, followed by Strawberry Creme Brulee. And, of course, that delectable creation, the Mother of All Martinis – The Breathless.



(I hope he never reads this. If he does, it’s Beans & Weanies for me for a month.)


Finally, what are you working on now in terms of your writing?

I’m working on a novel tentatively called “Old Money”, about a Chicago girl, Ava Dabrowski, who marries into an aristocratic Southern family. While working on her first novel, a legal thriller, she agrees to spend a summer in her new husband, Will’s, hometown of Woodburn, Tennessee. Ensconced in the family’s crumbling mansion with Will and his two great aunts, Fanny and Josephine, Ava finds herself a stranger in a strange land, caught up in the dramas and intrigues of the characters inhabiting this small Southern town. Gradually drawn into tales of the mysterious circumstances surrounding the death of Fanny’s first husband, Ava stumbles upon a decades old family secret, a discovery that causes an increasing rift in her marriage as she puts aside her legal thriller and begins instead to write about the enigmatic Woodburn family.


Many thanks to TLC Book Tours for giving me the opportunity to read Beach Trip and contact Cathy Holton!

Tuesday, June 23, 2009

Spiced

Whew! It's hot out there! A week ago we didn't need air conditioning, now it's in the 90s. Crazy.

My book club met last night to discuss The Gravedigger's Daughter by JCO. The response was not surprising. Two members didn't get much past 100 pages and no one that finished it was very impressed. Or impressed at all, really. We have mutually agreed to NOT read JCO again. Relief.

So, here are a few books that I've finished lately...


Spiced is Dalia Jurgensen's memoir of her life as a pastry chef. While I read a fair amount about food, I haven't read much in the chef-memoir vein, so this was new ground for me. Dissatisfied with working in an office, Jurgensen took a chance and went to cooking school and scored a great first-time-in-the-kitchen gig at Nobu in NYC. I loved reading about what fine restaurants are really like behind the scenes. It's pretty scathing back there - the saying 'if you can't take the heat, get out of the kitchen' proves true in the restaurant setting. It sounded crazy stressful having to deal with the hierarchy in the kitchen, the blatant sexism, the filthy bathrooms, and the long hours on your feet. Spiced also made me more aware of the business that goes on in terms of restaurant openings and closings and why chefs move around as much as they sometimes seem to. I enjoyed Spiced most when Jurgensen was writing about the actual food, the desserts that she prepared and how she came up with a menu for a particular restaurant. I was less interested in Jurgensen's personal/intimate life, and by the last chapters I had had enough stories of sexist men in the kitchen to last me a lifetime. Despite this, I would definitely recommend this book; Jurgensen has a chatty and personal writing style that really grabbed me and of course I loved the topic. One thing I realized is that as much as I enjoy cooking, cooking at a restaurant would not have been for me. Stressful, yes, but I enjoy trying new recipes and techniques, not preparing the same dishes all the time. Many thanks to Putnam for this review copy.

I was going to write about Laurie Halse Anderson's Fever 1793, but it's getting late and I'll leave it for another day...